“We never make fun of Fred. We slow down to listen to him,” Hanks said following the film’s screening . “It was always going to be, I think, deconstructing the myth of it to show he was a regular guy who went out for Chinese food. At the same time, there is this mystery. What’s his motivation?” he adds.Toma hanks (left) and Fred Rogers (right). Image from Facebook
In 1945, she kicked off a successful run with bandleader Les Brown that resulted in several hits including “Sentimental Journey,” “My Dreams Are Getting Better All the Time” and “Till the End of Time.” Even as her movie career took off, Day’s singing success continued with songs like “Love Somebody” with Buddy Clark, “A Guy Is a Guy” and “Secret Love.”.
Read some of the reviews here.Eric Kohn of IndieWire writes, 'Hanks’ cuddly pedigree means he was born to play Rogers, and he immerses himself in the role of the happy-go-lucky charmer who takes a photo of everyone he meets and embraces his appeal alongside his fans, even singing his theme song along with them on a New York subway. (This saccharine moment may feel contrived, but Junod does include it in his story.) “Beautiful Day” relies a bit too much on Rogers’ built-in appeal, but it exhibits a real confidence about the rationale for staying within those bounds. And for all the schmaltziness, the movie has plenty of compelling reminders about the talent behind the camera; it’s less of a tribute to Rogers’ cheery ethos than a subtle exploration of his lasting appeal.'
The Hollywood Reporter was all praise for Hanks' performance. However, he expected a better script, saying: "After her fantastic first two features, The Diary of a Teenage Girl and Can You Ever Forgive Me?, it’s a bit disappointing to see Marielle Heller taking on material with no edge at all. But the prospect of working with Hanks was understandably too great an opportunity to pass up, and she’s done a perfectly reasonable job under the circumstances. Visually, however, the film could have been sharper, with more color and luster." Benjamin Lee from The Guardian calls Hanks a charmer and says, "As we enter another turgid biopic season, it’s always a pleasure to encounter one that chooses to opt out of the traditional formula. Technically, this isn’t really a biopic at all since Rogers isn’t the true protagonist and the film only focuses on a brief, half-fabricated period of time, leaving much of his life unexplored. It’s more of a father-son story featuring an unlikely added element, a man who can’t resist inserting himself into the lives of others – especially those in need of help. Once you get past the loose handling of the truth, there’s a warm hug waiting for you in A Beautiful Day in the Neighborhood, and one that arrives with far less sentimentality than expected."
"Cloud Atlas." While on the set of this movie, Tom Hanks started calling Lana Wachowski and Lilly Wachowski, "Mom and Dad," because they worked so well together and as leaders of the cast and crew.
Owen Gleiberman in Variety terms Hanks' performance as 'transporting' and writes, "In A Beautiful Day in the Neighborhood, Hanks isn’t just good — he’s transporting. He takes on Mister Rogers’ legendary mannerisms and owns them, using them as a conduit to Rogers’ disarming inner spirit. He makes you believe in this too-nice-for-words man who is all about believing. A Beautiful Day in the Neighborhood is a soft-hearted fable that works on you in an enchanting way. When the film comes out (at Thanksgiving), there won’t be a dry eye in the megaplexes of America."
Check out some other reactions
A BEAUTIFUL DAY IN THE NEIGHBORHOOD was...absolutely perfect. Tom Hanks gives — seriously — one of the best performances of his entire career.
This isn’t just a movie we need right now — it’s a movie we will need forever.
Bring the tissues — you’ll need the entire box. pic.twitter.com/nLBKpjaXmZ
— Jake Hamilton (@JakesTakes)
So overwhelmed. A Beautiful Day in the Neighborhood is cinematic therapy. The best film of the year. Marielle Heller finds a tender, imaginative (sometimes surrealist) way to fuse her visionary narrative with Fred Rogers’ spirit. Tom Hanks is coming for Oscar No. 3 #TIFF19 #TIFF pic.twitter.com/Zm1Sm6q8eA — Joey Nolfi @ TIFF (@joeynolfi)
"The Theory Of Everything." Eddie Redmayne met with Stephen Hawking only once before filming. "In the three hours I spent with him, he said maybe eight sentences," recalls Redmayne. "I just didn't feel like I could ask him intimate things." Therefore, he found other ways to prepare for the role. He lost about 15 pounds and trained for four months with a dancer to learn how to control his body. He met with 40 ALS patients, kept a chart tracking the order in which Hawking's muscles declined, and stood in front of a mirror for hours on end, contorting his face. Lastly, he remained motionless and hunched over between takes, so much so that an osteopath told him he had altered the alignment of his spine. "I fear I'm a bit of a control freak," Redmayne admits. "I was obsessive. I'm not sure it was healthy."
A Beautiful Day in the Neighborhood is easily the best Tom Hanks has been since Captain Phillips. Leave it to Marielle Heller, one of the loveliest filmmakers working today.
— Matt Jacobs (@tarantallegra)
Tom Hanks' performance in A BEAUTIFUL DAY IN THE NEIGHBORHOOD is just that: a performance, not an impersonation or a regurgitation of Rogers' tics and inhuman nice-guyness. It sounds like faint praise. It is anything but. #TIFF19A Beautiful Day in the Neighborhood is scheduled to release on 27 September.
— David Fear (@davidlfear)