There are numerous jarring focus choices with how director Paul Taublieb approaches this story, starting with how it introduces the tragedy—before the credits are even over, before we understand what movie we're even seeing, and in between staged footage of Waltrip driving a pick-up through the countryside, with a sad look on his face. He’s shown turning up the volume on a country ballad that’s playing for all of us to hear, and it’s called “Blink of an Eye.” A voice on the radio dedicates it to him. It’s a strange start, and the focus on Waltrip primarily is even more jarring as it takes an event and makes it more about Waltrip, framing Earnhardt as a supporting character in Waltrip’s racing career.
This documentary proves to not so much be about the event—which is visually covered seemingly with the help of whatever broadcast footage was available—but about Waltrip, building an hour of backstory to the event that should have been the happiest in his life. And yet framing this tragedy as Waltrip not getting some type of rite of passage, with the sadness of his friend dying in a car wreck, is an incredibly tricky thing to balance. This movie’s dry, facts-first approach does not have the capacity to pull it off.
"The Terminator." One afternoon during a break in filming, Arnold Schwarzenegger went into a restaurant in downtown L.A. to get some lunch and realized all too late that he was still in Terminator makeup - with a missing eye, exposed jawbone and burned flesh.
Approaching such a profound event from a personal angle is often the best route, but “Blink of an Eye” is an example of when it feels too catered; if you didn’t like Waltrip for his story and his efforts to talk about it, it would come off as pretty narcissistic. There’s a brief moment when racer Richard Petty is about to start his interview—in the same green back-lit space as all the other talking-head interviews—and Waltrip interjects from off-camera, wanting to thank Petty for participating before the questions can commence. In one light, it’s a sweet gesture between two friends. In another light, it creates some concern that Waltrip would even be there in the first place, and how this documentary could be so much better if its subject didn’t have a looming presence.
This is an inside-baseball recount of a NASCAR story that could have made for a decent episode of ESPN’s “30 for 30” series, and it blatantly feels like it’s specifically for NASCAR fans. Racing figures Dale Earnhardt, Jr., Darrell Waltrip, Richard Petty appear, and for some viewers that might be enough. But it doesn’t have that accessibility with sports that the best ones do—it’s an easy watch, but if you can’t tell the difference between a Monster Energy NASCAR Cup series and the Daytona 500, you might be a little confused during some emotional passages, or distant.
Gene Hackman Was Originally Going to Play Hannibal Lecter. Speaking of Hannibal the cannibal, while Anthony Hopkins turned the crazy-smart serial killer into an unforgettable cultural touchstone, the role was originally supposed to go to Gene Hackman, who bought the rights to The Silence of the Lambs and had planned on directing the film himself. He backed off the project when he decided that the role was too dark for his taste.
As a feature-length rumination on such a devastating sports tragedy, the themes of hope, loss, family, and friendship are all there under the headline, but "Blink of an Eye" is too narrow to explore them. Any soul searching the subjects have done is only to be assumed, or hoped for, but not felt. I just hope that Waltrip knows that he’s only just begun in his own healing, and that going to therapy is a beautiful victory itself.