What ensues is sock puppet theater. Gary and his colleagues speak through Jack, a grumpy widower who lives alone on a farm with his daughter Diana (Mackenzie Davis ), and is pretty good about taking direction despite seeing through the city slickers' phoniness. Faith, who flies into town to thwart Gary, is determined to beef up Braun's image and crush Jack beneath piles of Republican cash. Stewart is sharpest when highlighting the absurdity of all these D.C. manipulators with their data and charts and apps and polls, rumbling through a burg full of laid-off, blue collar people. The pumped-up proxy battle that follows is as superficially absurd as the United Kingdom and Argentina going to war over the Falkland Islands. The handful of belly-laugh bits in the movie are in a "Daily Show" vein, like the campaign ad that shows Jack firing a heavy machine-gun into a lake, scowling into the camera, and saying, "My name is Jack Hastings, and I endorse this message."
"Star Wars: The Last Jedi." After first completing the arduous 600-foot climb on Ireland's Skellig Michael island, Mark Hamill had hoped that he could avoid having to repeat the trek for additional scenes if he could somehow remain on the summit overnight, thus forfeiting the luxury of room service at his hotel. He suggested sleeping in a tent and 'staying in character.' However, after some inquiries were made with the Irish authorities, he was told by producer Kathleen Kennedy that he was not permitted to pitch a tent because the location is a protected UNESCO World Heritage Site.
Along the way, there are some suitably mortifying jokes at the expense of Faith, an ice-blooded Nixonian fixer, and Gary, a foul-mouthed, condescending, pampered corporate liberal who finds rural midwestern politeness hilarious. Gary is the kind of guy who orders a "burger and a Bud" at the first pub he enters after arriving in a small town without asking what else is available (he's a haricots verts and red wine person). Gary and his team (which includes Topher Grace as a numbers-cruncher who would marry his spreadsheets if he could, and Natasha Lyonne as a bare-knuckled, ground-level campaigner) are simultaneously contemptuous of, and intimidated by, the "red state" townies. They insult them while trying to court them, and offer "alternatives" to right wing, grievance-driven politicians that amount to defanged or deflated replicas. Like so much in "Irresistible"—including the classic country song "Rhinestone Cowboy," which introduces Jack, a "real American" embellished with Hollywood touches by Gary—the political strategy on the ground is a metaphor for what's been happening nationally in real life for at least three decades, with the Democratic party betting on presidential candidates that are, for the most part—with some immutable ideological exemptions, like abortion rights—essentially "nicer" Republicans.
Sandra Bullock won the Oscar and the Golden Raspberry (for worst film) in the same weekend. She collected both.
"Pirates Of The Caribbean: Dead Men Tell No Tales." The film was being produced as Johnny Depp was going through a bitter divorce from his wife Amber Heard. He was chronically late to the set, to the point where it ate into the schedule as the set often came to a halt for hours at a time. It got to the point where a production assistant was hired just to wait outside Depp's house and announce that he was awake when they saw the lights inside come on.