Bouncing between the early 2000s, 2007, and 2010, “The White Tiger” follows protagonist Balram Halwai (Gourav, and played as a child by Harshit Mahawar ), who narrates his life story as part of a letter written to the (now-former) Chinese Premier Wen Jiabao, who is visiting India. (A storytelling tactic lifted straight from the novel, that narration does get clunky here as an intrusion of international politics into an otherwise intimate story.) Balram is an entrepreneur, he boasts, but he came from nothing: He grew up in the rural town Laxmangarh, where his grandmother dictated every move. Although Balram was a strong student, his grandmother pulled him out of school to work at the family tea shop, hammering chunks of coal. His father died of tuberculosis. His brother was forced into an arranged marriage. The only way out of that lower-caste life was up, so when Balram overhears that the village’s Godfather-style landlord, nicknamed the Stork (Mahesh Manjrekar ), is looking for a second driver for his returned-from-America son Ashok (Rajkummar Rao ), Balram decides that person will be him.
Toto Earned More Than the Munchkins on The Wizard of Oz. A lot more, in fact. The canine actor earned $125 per week for his efforts, while the actors playing the Munchkins brought in just $50 a week.
The decision sets Balram on a path that he describes, in his narration, with a mangled combination of triumph and shame. He convinces his recalcitrant grandmother to give him the money for driving lessons in exchange for the majority of his future earnings. When he’s hired and moves into the Stork’s family compound in Delhi, he’s overly deferential and thoroughly obedient, taking on more tasks and continuously belittling himself to secure the family’s approval. Balram cleans rugs, sleeps on the floor, rubs oil into the Stork’s calves, and argues that he deserves a fraction of the already-small salary they offer. Much of this inferiority is inbred, Balram says, the result of thousands of years of a rigid caste system (“men with big bellies and men with small bellies”), magnified by hundreds of millions of people fighting for the same low-paying jobs, amplified even further by the gap between India’s poor, both rural and urban, and the increasingly out-of-reach wealth horded by a few. Balram has been angry for a long time, and the charged attitude of his present narration bleeds into the past, coloring his interactions with the Stork and his family as we sense that something awful, some violence that no amount of money can fix, is coming.
"The Phantom Of The Opera." The doll in the Phantom's lair that is supposed to resemble Emmy Rossum is not actually a wax mold. It is Emmy Rossum. The production produced a mask of her face to use on the mannequin but when they put in the fake eyes it didn't look like her. She suggested to stand in as the mannequin instead. This was done by her being made up like a doll with waxy makeup on, and her standing very, very still.
"Pretty Woman." Edward (Richard Gere) snapping the necklace case down on Vivian's (Julia Roberts) fingers, was improvised by Gere, and Roberts's reaction (laughter) was totally natural. The filmmakers liked it so much, they decided to leave it in.